Can art still play a subversive role in society?
Steven Winn
Wednesday, March 29, 2006
St Francisco Chronicle
http://www.sfgate.com/cgi-bin/article.cgi?file=/c/a/2006/03/29/DDGRJHUSMV1.DTL
When the hero of "V for Vendetta" blows up a London landmark -- the Old Bailey at the beginning of the movie and the Houses of Parliament at the end -- Tchaikovsky's "1812 Overture" surges from the speakers. Back home in his subterranean hideaway, this self-consciously cultured revolutionary delights in precious artifacts that the government in this techno-fascist near future has outlawed. V's verboten stash includes paintings and statues, a working jukebox and a copy of the 1934 film "The Count of Monte Cristo."
Even viewers put off by the movie's Orwellian overkill and blood-spurting mayhem may find something awfully enticing about the aesthete avenger himself (a masked Hugo Weaving as V). At the heart of this goony, rhapsodic fantasy based on a 1980s graphic novel is a persistent,......
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