This term, my learning in tabla classes has been concentrated on the structure and presentation of Indian classical music. I have become more aware of how the tabla, sitar and vocals fit together. I've also learnt terms used commonly and how different parts of a composition are put together in a traditional manner, to form a solo. For example, a peshkar is the first expression within a tabla solo, which allows new sounds to be introduced throughout it. Kaidas are usually the centre part within a solo, and a real
can be the final part to close a solo.
I have also had an opportunity to learn a little about the various ghorana in tabla. These are the different schools of tabla that were established in different regions of India. The six main ghorana are: Dilli ghorana, from Delhi, Punjab, Bunares, Farukhabad, Lucknow and Ajrada ghorana, from Agra. The different schools all have varying styles and characteristics that are unique to them. We tend to use Dilli ghorana mainly, also......
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