In Frost's poetry any deviation, not only from the iambic foot but from the iambic pentameter line as well, is an important marker of the speaker's state of mind, his control, and his capacity for irony. "After Apple Picking" keeps resolutely returning to pentameter lines, but the speaker is drowsy, and the opening twelve-syllable line - "My long two-pointed ladder's sticking through a tree" - is like the last murmured words before sleep. Of course, it also represents, as does the whole masterful structure of the poem, Frost's own precise control of tone, as he creates a speaker who is precariously "upon [his] way to sleep." This fatigued vulnerability manifests itself in an escalating slippage of control from ten-syllable lines to foreshortened lines like "For all / That struck the earth," or eleven-syllable lines like "No matter if not bruised or spiked with stubble." And as the speaker moves toward an increasing intuition of the symbolic underpinnings of his exhaustion, which is......
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