In the chaotic world of King Lear, resolution of character seems remote and veiled from an aged king bent on denying the unspoken truth. Dramatically speaking, his enemies fare conventionally better. Philip McGuire concludes that when the mortally wounded Edmund declares that "The wheel is come full circle", his words serve as an explicit statement of dramatic fulfilment.1 Accordingly, Edmund, Goneril, and Regan move towards a dramatic consummation in which their deaths bond them in malevolence. However, Lear, Cordelia and the Fool seem divided, separated, and never allowed a mode of completion like their three counterparts. Lear's hopes of union with Cordelia are never realized, and are portrayed as unnatural: "We two alone", as the king puts it, "will sing like birds i'th'cage" (5.3.9). Cordelia's final line, "Shall we not see these daughters and these sisters?" (5.3.7), echoes Lear's wish for dramatic union, but she is silenced before it can be fulfilled. In the Folio addition to......
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