Bordwell and Thompson define the art film as "a film which, while made under commercial circumstances take an approach to form and style influenced by "high art" which offers an alternative to mainstream entertainment" (1). Like avant-garde film making, this style offer the audience with a movie that takes glory in cinemas stance as a modern art form, for art house films are not just intended to be entertaining, they are designed to be imaginative.
Shekhar Kapur's 1998 film 'Elizabeth' presents us with a contemporary art film. Although it does offer entertainment through a fascinating narrative, the film as a whole is presented in a creative way, owing to the auteurish vision of Kapur. Indeed, as the film is arguably British, abroad 'Elizabeth' by definition becomes as 'art film', since Bordwell and Thompson also define the term 'art house' as a phrase "used by the U.S film industry to describe imported films of interest to upper -middle class, educated audiences" (2).
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